The aforementioned “4 Min Convo” is A Boogie at his most engaging and melodramatic. It’s why on Hoodie SZN’s “4 Min Convo,” A Boogie says, “I hear too much me in niggas’ songs, so I had to switch it up.” Thankfully, A Boogie never really does switch it up-the last time he did he released his straining, pop-crossover dud International Artist-and the album’s best moments come when the Bronx songbird embraces his signature style. The Bronx’s Lil Tjay, Brooklyn’s Jay Gwuapo, and Long Island’s Lil Tecca, are three emerging New York stars and collectively they have all found inspiration in the vocals of A Boogie. Over the last two years, the bright melody and AutoTune flow of A Boogie- that Lil B famously compared to Dej Loaf’s-has become a New York staple. Because despite Hoodie SZN’s 20 songs facing the typical bloated-album problems like pacing issues and forced collaborations, through it all, A Boogie hardly ever loses his Bronx edge.
But it’s all part of what has made A Boogie one of New York’s most essential- and most popular-artists. When A Boogie drops in one of his petty, lovestruck tracks on his latest album Hoodie SZN, the quotables could double as a teen in 2008’s AIM away message sent from a T-Mobile Sidekick when he gets violent, he makes me think that the melodic and stick-talking Tim Vocals has been spiritually resurrected. Likewise, the 23-year-old Bronx rapper A Boogie Wit da Hoodie feels like he belongs in a long-gone era. In New York, time moves at its own pace: Facebook is still the social media of choice, CDs are still handed out on the street, and radio DJs still have the power to break a song.
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